How To AC/DC Guitar Tone/Sound Tutorial YouTube


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AC/DC Sound - Tips for amp settings to get that sound CozmoCag 33 subscribers Subscribe 158 Share 57K views 13 years ago How to get that AC/DC "clean distortion" sound (the Malcolm.


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To get closer to AC/DC's guitar tone, use these settings as your starting point: Volume: 6 Gain: 7 Bass: 5 Middle: 6 Treble: 6 Presence: 7 Reverb: 3 Depending on your setup, some of these settings might need a little tweaking.


AC/DC Control settings on Stevie/Malcolm Young's Marshall (3146.570) Stevie Young, Amp

In the studio โ€” particularly when recording AC/DC's monumental Back in Black album โ€” Young used a wide variety of different Marshall amp heads to narrow down the perfect individual guitar tones for each song.


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Amp Settings: Angus Young of AC/DC Written by Bobby Kittleberger December 22, 2022 Leave a Comment Filed Under: Amp Settings, Artists AC/DC's Angus Young is best categorized as a classic rock guy, though AC/DC still sees a lot of significant mainstream success.


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To sound like AC/DC, start with the following amp settings: Gain: 5-6 Bass: 4-5 Mids: 5-6 Treble: 6-7 Keep in mind that the settings listed above are designed to be used as a starting point and will likely need adjusting according on the guitar and amp you are using.


AC/DC Control settings on Angus Young's Marshall. (133368) Amp settings, Marshall amps

Dagan runs us through his very informative AC/DC Gear Guide. Find out what amps, guitars and pedals Angus Young & Malcolm Young use.In this video, Dagan show.


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#1 Can anyone help me with settings on a Vintage Modern to nail the AC/DC tone? N nabsley New Member Joined Dec 14, 2008 Messages 17 Reaction score 0 Dec 17, 2008 #2 I would say in general, not perticular to the amp model, Gain between 3-4, Master 5+, Bass 6-8, Mid 4-6, Tre 5-7 Hope that's a start. Nabil Stretchy Member Joined Jul 28, 2008


How To AC/DC Guitar Tone/Sound Tutorial YouTube

How To Play Back In Black on ELECTRIC LESSON https://www.youtube.com/watch?v=vzVwHqjkPW4Back In Black ACOUSTIC Guitar lesson https://www.youtube.com/watch?v=.


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This is a really interesting one because you probably don't need any pedals if you've got the right sound coming out of your amp. The ACDC sound is quite dry, so you won't need modulation, delay or reverb pedals. The bass drives the low-end and the rhythm from the drums and rhythm guitars is what really makes the tracks.


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The song "T.N.T." was released in the band's native Australia in 1975, on the album of the same name. It was unleashed on the rest of the world in 1976, on the band's international debut LP, High Voltage. Clocking in a mere three minutes and 32 seconds, this song is as explosive as its name implies, and this crowd favorite has long been.


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Amp settings Angus and Malcolm have both stated in interviews that very little or no pre-gain was used on the amps and the distortion comes from a heavier attack on the strings. Lead:


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Some Quick amp settings to sound like AC/DC are: Gain: 7 Treble: 6 Middle: 5 Bass: 6 Presence: 5 This will allow you to get a good classic crunch tone that will emulate their sound. All without having to blast your volume control to the maximum. Not sure what amp settings actually do?


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1. For a Clean Sound & Shimmer 2. Ideal Fender Amp EQ 3. Clean Base for Delay 4. Low Gain for Rock 5. The Wah Cut 6. An Amp EQ for Metal


Angus Young (AC/DC) Guitar Rig Spring 1998 Guitar Shop Guitar rig, Guitar books, Young guitar

AC/DC Preset #3. A Sustainer, an Equalizer, a Marshall JTM45 and a Reverb pedal is a popular bass guitar preset of AC/DC. Setting up the knobs of the Sustainer, the Equalizer, the Marshall JTM45 and the Reverb pedal as the way they are shown below, is another excellent way to get the bass guitar tone of AC/DC. This preset has the hashtags #ac/dc .


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AC/DC - Back In Black - Guitar Riff - Boss Katana Amp Settings, Tone Demo & Free Boss Katana Patch File Gear:Guitars: Gibson Les Paul Standard Amp: Boss Kata.


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#1 Hi everyone, AC/DC's one of my favorite bands, and I love their guitar sound and how Angus and Malcolm interact with each other on the records. After listening to some isolated tracks, I've noticed that Malcolm (on the left) has a darker and lower-gain sound, while Angus (on the right) has a bright, aggressive, high-gain tone.